Bonus episode: Why shoot 10-bit color if I can’t see it?

Our next full episode is July 12, but today Griffin and Nick answer three audience questions, including why shooting 10-bit color (1 billion color possibilities) is better than 8-bit (16 million color possibilities) if our screens don’t even display that much color data.

With the news that the Panasonic GH5 will record 10-bit 4:2:2 internally, what does that mean? And do you need to record that way? Watch my live chat about documentary filmmaking at PhotoPlus Expo: http://griffinhammond.com/ppe-live Follow Griffin on social media: http://griffinhammond.com/social Video equipment Griffin uses: http://griffinhammond.com/gear

Watch What is "10-bit 4:2:2"? for a technical explanation of color bit depth and chroma subsampling.